At the height of his popularity Kyffin was commissioned to paint a succession of portraits, but by his own admission he preferred to turn to portraiture for pleasure.
In our current exhibition Kyffin Williams: Behind the Frame, a variety of portraits are shown from the Kyffin collection, ranging from his early life studies created while a student, to the later commissions of an established artist, but more interesting are the portraits which he painted purely for delight.Amongst the items on show is a good selection of female portraits. Kyffin admitted that painting women didn’t come easy to him; it took him about twenty years to be happy painting the smooth face of a girl:
“The reason for this was my use of the palette knife for, painting in broad rough areas of paint; it was difficult to achieve the delicacy necessary”.
Norma Lopez was a favourite sitter of his in Trevelin while he visited Patagonia in 1968/69. Kyffin described Norma as an excitable girl “smiling through two large brown eyes”. Norma, who was about 8 years old, loved to tease the artist and when not playing with her brother Paulino enjoyed sitting for her portrait. Kyffin painted her several times, but could never paint her in oils once back in London as the paint didn’t capture her fun and light character.
Kyffin was obsessed by people, the people of his native Anglesey, the ones he observed as a young boy visiting parishioners with his cleric father. That probably explains why he often turned to portray the people around him, like the sketch “Woman with Duster” held in the collection (finished paintings Mrs Hughes (private collection) and Mrs Rowlands (Anglesey County Council)). She’s a composite portrait of many women the artist had known on the island who would patiently and cheerfully go about their cleaning duties.Kyffin’s paintings are full of emotion, while working on a portrait he’d be happy to catch the likeness of his sitter but just as important was the mood the work would convey, preferring to catch melancholy rather than a smile. In his portrait of Miss Parry he depicts old age and what he summed up as the feelings and thoughts of an older generation “tired and waiting for rest”.
There’s a chance to enjoy these portraits on the walls in Gregynog Gallery until 1st September 2018, come in to see the anonymous nun, Michelle, Norma Lopez, Miss Parry and many more.
Lona Mason – Head of Graphic, Screen and Sound
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