The Library is buzzing with activity today as we launch our new exhibition Kyffin Williams: Behind the Frame. So what can you expect?
There are 4 themes in the exhibition ‘Self’, ‘Artist’, ‘People’ and ‘Places’ which is situated in the Gregynog Gallery and Annexe on the second floor of the Library. The artist himself will guide you through the show as many of his own words taken from his diaries, letters and publications are placed around the exhibits. For those who want to delve deeper there is an opportunity to scan selected paintings using the Smartify app; the Library and Oriel Ynys Môn are the first institutions in Wales to use this new technology.
Upon entering, you will be confronted with a miscellany of Kyffin’s image in various guises, from the early sketches of the pensive young man to the more confident older artist whose eyes gaze directly into your own in an almost challenging way. Diaries and letters delve deeper into the character of the artist, one of the highlights being a particularly endearing letter he wrote to his ‘Mummy & Daddy’ when he was at boarding school in Trearddur.
In ‘Artist’ you will see the making of Kyffin and his life-long influences, especially his association with Van Gogh and the parallels he drew with his fellow epileptic. His paintings, ’Sunflowers with Mountains Beyond’ and ‘Crows and Storm coming’, are of particular note, the latter often thematically compared to one of Van Gogh’s most famous works ‘Wheatfield with Crows’, in which Kyffin mimics Van Gogh’s strong colour combinations and the menacing sky which is said to signify the artist’s loneliness. Some of his early works from his time in the Slade are uncharacteristically ‘Kyffin’ but a fascinating insight into how he perfected his craft.
Turn the corner and you immediately feel as if you are being watched by the many eyes in Kyffin’s portraits. His placement of the sitter on his canvases is intentional and intriguing. Kyffin mentioned in his book ‘Portraits’: “The placing of the head within the confines of the canvas can show the personality of the sitter.” Indeed, the larger more confident subjects fill the canvas and look directly at you, whilst the more timid and neurotic subjects tend to be placed to one side and looking away. Our favourite is Miss Parry; a partially invented character representing his fascination with old age, “especially those who sit and wait for the end to come”.
Although he never saw himself as a traditional portrait painter, Kyffin was obsessed with people. He once said: “I feel that the land and its people are almost part of me”. Kyffin grew up among the hills and valleys of north Wales and was drawn to the landscape and its people, especially the figure of the farmer whom is constant in his work and adorns many living rooms and gallery walls. There are a few of his best examples in the exhibition.
‘Places’ is the largest and most significant theme in the show. His work in this genre was so prolific, it was very difficult to boil it down to fit into the space; but with a little help from Kyffin himself (he often listed his favourites in interviews and in his diaries) we have tried to represent the very best of his of works inspired by the mountains and seascape of Wales and beyond.
The large Welsh landscape wall which is hung in a salon style as an acknowledgement to the artist’s appointment as a Royal Academician in 1973 is a fitting finale to the exhibition. A challenging hanging method never before attempted by our team, but has been our personal highlight of the whole exhibition.
It has been some 13 years since we last dedicated an exhibition to Kyffin and we do hope that you will enjoy the experience and find some favourites of your own…maybe even be inspired to try your hand at creating your very own masterpiece! Do let us know what your own personal highlights are on social media using #Kyffin100 [Twitter: @NLWExhibtion] and remember to download the Smartify App before your visit.
This post is also available in: Welsh